We care about ensuring the licence fees our music customers pay are paid to our songwriter, composer and publisher members and affiliated overseas societies in the most efficient and accurate way possible.
For every dollar we collect, almost 86 cents is paid to music creators. At 13.8%, our cost to revenue ratio compares very favourably to affiliated organisations providing the same service overseas.
We take paying the right copyright owner their royalties very seriously. Our distribution policy is to strike a sensible balance between using accurate data to determine who should be paid royalties and the cost of collecting that data. Where it is cost effective to collect direct data we will. Where it is not, we use sample data or music recognition technology, followed by alternative or proxy data sources representing the most comparable music use possible.
We’re always looking for the best sources of data, and we invest in world’s best practice data matching systems. This approach means we’re able to distribute licence fees efficiently.
Our distribution information guides explain how the licence fees APRA AMCOS collects are paid out as royalties.
From time to time we make changes to our Distribution rules and practices that are important for members to understand. Read a simple explanation of recent key changes, and find out when they take effect.
A detailed explanation of the processes we use to distribute APRA licence fees as royalties.
View APRA Distribution Practices (PDF, 794kb)
Mandates that govern how the licence fees APRA collects are paid out as royalties.
View APRA Distribution Rules (PDF, 559kb)
A detailed explanation of the processes we use to distribute AMCOS licence fees as royalties.
View AMCOS Distribution Practices (PDF, 496kb)
Mandates that govern how the licence fees AMCOS collects are paid out as royalties.
View AMCOS Distribution Rules (PDF, 472kb)
A guide to how royalties earned overseas are paid to our members.
View APRA AMCOS International Distribution Practices (PDF, 99kb)
1. We license businesses for the music they use.
2. We collect music data from multiple sources including radio & tv stations, streaming services, live performances, background music services and more.
3. We auto match data to songs and compositions in our database. Unidentified songs are then matched to their copyright owners by our team of researchers.
4. We calculate royalties according to our distribution rules and practices.
5. We pay royalties to our members and overseas affiliated societies.