How it all works
Why songwriters, composers and music publishers join APRA AMCOS
APRA AMCOS can manage certain music rights on your behalf to make sure you get paid royalties when someone, anywhere in the world, uses your music.
Understanding royalties and getting paid
From cafés to television ads, we track and pay royalties to music creators when their music is played around the globe.
What is Production Music and do I need a licence?
Production Music is written and recorded specifically for the synchronisation or dubbing into your audio and audiovisual productions. And it's totally free to sign up!
Frequently asked questions
What is copyright and how does it work?
Copyright is free and automatic. Copyright is there from the moment a song or composition is written down or recorded in some way.
The Australian Copyright Act (1968) gives music copyright owners a number of exclusive rights. Nobody else can use the work without getting the owner’s permission first, and if necessary, paying a royalty for this use.
Want to learn more about copyright? We've put together a simple visual explanation of the Story of a Song—from inspiration through to royalty payments and all the work that goes on inbetween. Or keep reading for a more detailed explanation of copyright.
Copyright is a legal right that generally belongs to the original creator of a work.
Copyright protects literary, dramatic, musical and artistic works. It also protects sound recordings, films, published editions, performances and broadcasts. A song may have more than one copyright. The lyrics will be protected as a literary work and the music as a musical work. A recording of the song will also be separately protected as a sound recording.
Generally the composer or author of music or lyrics is the first owner of copyright in the work.
However, if you create music or lyrics as part of your employment, your employer is usually the first owner of copyright.
Similarly, if you create a work under the direction or control of a government body, the government would own copyright in the absence of an agreement to the contrary.
- Commissioned works: If you are commissioned to write music or lyrics, the person who commissioned you does not automatically owns the rights in the work, unless there is an agreement to this effect or unless they are “the Crown”. They will, however, have a right to use the work for the purpose for which it was commissioned. In these circumstances it is advisable to clarify the rights of both parties in a written agreement.
- Works created in collaboration: If you collaborate with others in writing music or lyrics, it is also advisable to have a written agreement clarifying who owns the rights in the resulting work. You may be regarded as joint authors under the law. Failure to clarify ownership at the time may result in lengthy and difficult disputes further down the track.
- Sound recordings: The person who pays for the sound recording to be made will usually be the first owner of copyright in the recording. The performers on the recording may also be joint owners of copyright in recordings made after 1 January 2005. Advice on ownership questions and assistance with drafting these agreements can be obtained from the Australian Copyright Council or the Arts Law Centre of Australia.
Copyright owners in music and lyrics have a number of exclusive rights.
Anyone who wants to use a protected work in any of the ways outlined below will usually need the copyright owner’s permission. He or she may also have to pay a royalty.
Copyright owners have the right to:
- Reproduce the work: This includes recording the music or lyrics onto a CD, a film soundtrack, or onto a computer disk. It also includes reproducing the music or lyrics as sheet music.
- Publish the work: This means making your work available to the public for the first time.
- Perform the work in public: This includes playing the work live at a venue, playing a recording of the work in a venue, business or work place, and showing a film containing the work.
- Communicate the work to the public: This includes communicating the work over the Internet, via a music on hold system or by television or radio broadcasting.
- Make an adaptation of the work: This includes arranging or transcribing music, or translating lyrics.
- Rent a recording of the music: This is the right to control the rental of recordings (on CD for example) of the work.
In the music industry, these rights are usually grouped in the following way:
- The mechanical right: This is the right to record a work on record, cassette or CD. This is usually administered by either AMCOS or by music publishers.
- The synchronisation right: This is the right to use music on the soundtrack of a film or video and is usually administered in the same way as the mechanical right.
- The performing right: This is the right to perform a work in public or to communicate a work to the public. It is administered by APRA.
There is a separate copyright in the sound recording of a musical work (with or without lyrics). The person or company that owns the rights in the recording owns the right to copy it, record it, perform it, communicate it to the public or rent it out.
Copyright lasts for the life of the author + 70 years
Generally copyright in music and lyrics lasts for the life of the author or creator, plus 70 years after the end of the calendar year in which the author dies.
If the work was not published, broadcast, performed or records of the work had not been offered or exposed for sale to the public until after the creator’s death, copyright will last for 70 years from the end of the calendar year of first publication, broadcast, performance or when records of the work were offered or exposed for sale to the public.
- Print music translations, arrangements and published editions: Where music is arranged or lyrics are translated, there is likely to be a separate copyright in the arrangement or translation. Copyright in these will last for 70 years after the end of the calendar year in which the translator or arranger dies.
- Published editions: Another copyright exists in what is known as the published edition. Published edition copyright protects a publisher’s investment in the typesetting and typographical arrangement of the music and lyrics. Copyright in published editions lasts for 25 years after the date of publication. This copyright may still subsist even when the copyright in the music and lyrics have expired.
When copyright in a work expires, it is in the public domain and anyone can use it without having to obtain permission or pay a fee.
How do I copyright and register my works?
Copyright and registration are two separate things.
Copyright is free and automatic.
That's right—you don’t have to do anything to ‘get’ copyright; it's there from the moment you write down or record the song. So as soon as you create a new song or piece of music, you have copyright in it.
Register works with APRA AMCOS.
To ensure you receive royalties when your work is played or performed, you must register your songs and compositions through the Writer Portal or App.
Who can join APRA?
If you write or compose your own songs, you may be eligible to join APRA. You'll also need to match one or more of the following criteria:
- You or someone else performs your songs live OR
- Your songs are broadcast on radio or TV OR
- Your songs are available to stream online.
You can't join if you're a member of an overseas Performing Rights Organisation. If you're in a band, only the members who write or compose music need to join.
Who can join AMCOS?
Joining AMCOS is separate from joining APRA. You may want to join AMCOS if you have unpublished works released on a recording for sale to the public or reproduced in a production music recording. You can join AMCOS if:
- You're a copyright owner of musical works;
- You don't already belong to an overseas mechanical rights organisation;
- At least one of your works is unpublished and has been commercially reproduced eg: available on a digital music service like Spotify or Apple Music, released as a physical product by a third party, or reproduced in a production music recording.
What's OneMusic?
OneMusic Australia is an APRA AMCOS and Phonographic Performance Company of Australia Ltd (PPCA) joint licensing initiative launched 1 July 2019.
In Australia music creators generally authorise two organisations to administer their rights. APRA AMCOS (composers and music publishers) and PPCA (recording artists and record labels).
OneMusic Australia offers joint public performance licences so there's no longer any need for separate licence agreements and invoices from PPCA and APRA AMCOS. OneMusic Australia allows businesses to meet copyright obligations for the public performance of musical works and sound recordings more seamlessly.
How do I find out which music licence I need?
APRA AMCOS offers music licences for:
- TV or radio
- Event videos
- Online
- Physical formats
- Educational institutions
- Production Music
For films and advertisements, you can use our research service to contact the copyright owners of the musical work and sound recordings. You'll need their permission and licence to use their work. Alternatively, you can use production music.
OneMusic is a joint initiative between APRA AMCOS and PPCA that licenses public performance of musical works and sound recordings.
