The annual Art Music Awards are presented by APRA AMCOS in conjunction with the Australian Music Centre (AMC) to recognise achievement in the composition, performance, education, and presentation of Australian music.
Art Music covers activity across contemporary classical music, contemporary jazz, improvised music, experimental music, and sound art.
The 2024 Art Music Awards were held at The Malthouse, Naarm on Wednesday 14 August.
Richard Gill Award for Distinguished Services to Australian Music |
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Winner |
lyn williams AM |
Work of the Year: Choral | |
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Winner | |
Title: | Stabat Mater |
Composer: | Mary Finsterer |
Narrator: | Mel Gibson |
Performer: | Melbourne Symphony Orchestra, Choir of Trinity College Melbourne, Mia Robinson, Joseph Nolan, Benjamin Northey - conductor and Christopher Watson - choral director |
Finalists | |
Title: | Earth Shaped Hearts |
Composer: | Juliana Kay with Bridget Bourne |
Performer: | Alta Collective and Bridget Bourne |
Title: | Passio |
Composer: | John Rotar |
Performer: | One Equal Music and The Australian Voices |
Title: | Winchester Canticles |
Composer: | Joe Twist |
Performer: | Winchester Cathedral Combined Choir |
Work of the Year: Dramatic | |
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Winner | |
Title: | Margaret and the Grey Mare |
Composer: | Sally Whitwell |
Artist: | Katy B Plummer |
Performer: | Margaret Plummer, Michael Honeyman, Katy B Plummer, Sarah Jessica Carpark, Freya Schack-Arnott and Sally Whitwell |
Cinematographer: | Kuba Dorabialski |
Finalists | |
Title: | Standard Deviation |
Composer: | Jack Frerer |
Performer: | New York City Ballet |
Title: | The Journey Down |
Composer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr and Vanessa Tomlinson |
Performer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr and Vanessa Tomlinson |
Title: | The Nervous Atmosphere: A Chamber Made work by Zoë Barry |
Composer: | Zoë Barry |
Performer: | Zoë Barry |
Work of the Year: Jazz | |
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Winner | |
Title: | A Pinky Promise |
Composer: | Cheryl Durongpisitkul |
Performer: | Monash Art Ensemble |
Finalists | |
Title: | Ephemeral Echoes |
Composer: | Linda May Han Oh |
Performer: | Linda May Han Oh, Fabian Almazan, Lucy Birkinshaw, Steve Richter, Iain Robbie, Ben Vanderwal and Genevieve Wilkins |
Title: | Mokuy |
Composer: | Aviva Endean, Sunny Kim, Peter Knight, Daniel Wilfred and David Wilfred |
Performer: | Hand to Earth |
Title: | The Odd River |
Composer: | Helen Svoboda |
Performer: | Helen Svoboda |
Work of the Year: Large Ensemble | |
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Winner | |
Title: | Through Changing Landscape |
Composer: | Alice Chance |
Performer: | Sydney Symphony Orchestra and David Robertson - conductor |
Finalists | |
Title: | arcing, stilling, bending, gathering |
Composer: | Lisa Illean |
Performer: | Aura Go, Emma McGrath, Tilman Robinson and Musicians of the Australian National Academy of Music |
Publisher: | Hal Leonard Australia |
Title: | Prayers and Tribulations |
Composer: | Brenton Broadstock |
Performer: | New York Staff Band |
Title: | Sarenka Concerto |
Composer: | Elena Kats-Chernin |
Performer: | Melbourne Symphony Orchestra, Dale Barltrop, Rachael Tobin and Chloé van Soeterstède - conductor |
Publisher: | Concord ANZ |
Work of the Year: Chamber Music | |
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Winner | |
Title: | Visions | Vestiges |
Composer: | Kate Milligan |
Performer: | London Symphony Orchestra |
Finalists | |
Title: | Ablaze |
Composer: | Elliott Gyger |
Performer: | Carla Blackwood, Miranda Hill, Ben Opie and Melina Van Leeuwen |
Title: | Daredevil |
Composer: | Holly Harrison |
Performer: | Omega Ensemble |
Title: | Silhouettes for String Quartet |
Composer: | Maria Grenfell |
Performer: | Flinders Quartet |
Work of the Year: Electroacoustic/Sound Art | |
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Winner | |
Title: | Breathing Space |
Composer: | Genevieve Lacey |
Performer: | Dr Lou Bennett AM, Mindy Meng Wang, Vahideh Eisaei, Amadou Suso, Sunny Kim, The Consort of Melbourne, Linda Kent, Marshall McGuire, Phil Slater, Speak Percussion, Erkki Veltheim and Simon Martyn-Ellis, with spoken voices and field recordings |
Finalists | |
Title: | Gradient |
Composer: | Olivia Davies and Callum G’Froerer |
Performer: | Olivia Davies, Callum G'Froerer and Nick Roux |
Title: | METASTABILITY |
Composer: | Ben Carey |
Performer: | Ben Carey |
Title: | When The Rain God Sings Storm Lions Are Born |
Composer: | Yunyu Ong |
Performer: | Taikoz |
Publisher: | ORiGiN Music Publishing |
Performance of the Year - Jazz / Improvised Music | |
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Winner | |
Performer: | Mindy Meng Wang and Paul Grabowsky AO |
Title: | Spring, Flower, Snow and the Moon 春花秋月 |
Composer: | Mindy Meng Wang and Paul Grabowsky AO* |
Publisher: | ORiGiN Music Publishing obo Air Edel* |
Finalists | |
Performer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr and Vanessa Tomlinson |
Title: | The Journey Down |
Composer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr and Vanessa Tomlinson |
Performer: | Cheryl Durongpisitkul and Ensemble |
Title: | I Still Miss You |
Composer: | Cheryl Durongpisitkul |
Performer: | Hand to Earth |
Title: | The Crow |
Composer: | Aviva Endean, Sunny Kim, Peter Knight, Daniel Wilfred and David Wilfred |
Performance of the Year: Notated Composition | |
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Winner | |
Performer: | Melbourne Symphony Orchestra, Choir of Trinity College Melbourne, Mia Robinson, Joseph Nolan, Benjamin Northey - conductor and Christopher Watson - choral director |
Narrator: | Mel Gibson |
Title: | Stabat Mater |
Composer: | Mary Finsterer |
Finalists | |
Performer: | Claire Edwardes and Adelaide Symphony Orchestra |
Title: | Dare To Declare - Concerto for Marimba and Orchestra |
Composer: | Anne Cawrse |
Performer: | Jane Kircher-Lindner, West Australian Symphony Orchestra and Asher Fisch - conductor |
Title: | Bassoon Concerto |
Composer: | Andrew Schultz |
Performer: | West Australian Symphony Orchestra, WASO Chorus, Aquinas College Schola Cantorum, Voyces, Abimanjou Mathivannan and Eduardo Strausser - conductor |
Title: | The Tides of Longing |
Composer: | Lachlan Skipworth and Jay Emmanuel |
Award for Excellence in Music Education |
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Winner |
The Song Room for building thriving communities for children by championing Australian music in remote NT |
Finalists |
The Sonicrats (Alon Ilsar, Ciaran Frame and Erick Mitsak) for You're an Instrument! 2023 Victorian Schools Program |
Speak Percussion for Sounds Unheard 2023 Program |
West Australian Youth Jazz Orchestra (WAYJO) for WAYJO 2023 Pathways Program |
Award for Excellence in a Regional Area |
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Winner |
Tura for The Journey Down |
Finalists |
Camerata - Queensland’s Chamber Orchestra for Regional Touring Program |
Frances Evans for Warren Chamber Music Festival |
Topology for Queensland Stories |
Award for Excellence in Experimental Practic |
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Winner |
Gelareh Pour and Brian O'Dwyer for ZÖJ |
Finalists |
Chloe Kim 김예지 for 100 Hours |
Mindy Meng Wang for continued leadership in pioneering experimentation and integration of the Guzheng into Western contemporary music, coupled with sustained artistic excellence |
Gemma Horbury for The Story of Here |
National Luminary Award: Organisation |
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Winner |
Omega Ensemble for sustained contribution to the commissioning of Australian compositions, championing of diverse voices, and commitment to emerging artists |
National Luminary Award - Individual |
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Winner |
Genevieve Lacey for various projects & activities |
State / Territory Luminary Award |
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Australian Capital Territory |
Jessica Cottis for Chief Conductor and Artistic Director for Canberra Symphony Orchestra, and other conducting activity |
New South Wales |
Jessica Wells for sustained Contribution to Australian music through Composition and Mentorship of Emerging Composers |
Queensland |
Camerata – Queensland’s Chamber Orchestra for championing of Australian Music on its Mainstage Series and Regional Touring |
South Australia |
The Bowerbird Collective for regional touring, festivals, commissions and new work |
Tasmania |
Don Kay for contribution to music activity in Tasmania |
Victoria |
Duré Dara OAM for Percussion, Conversation, Degustation, her role as Resident Creative Director of Speak Percussion, and her continued work as an improviser and experimental musician |
Western Australia |
Gemma Farrell for the education for people of marginalised genders in jazz including the Progressions Program and the Artemis Orchestra |
NOMINATIONS FOR THE 2024 ART MUSIC AWARDS ARE CLOSED.
HOW TO NOMINATE:
Nominating is now simpler than ever!
Step 1: To nominate you need to be either:
Step 2: Read through the 'Guidelines Overview' and 'Full Rules & Guidelines' below to ensure your nomination meets the criteria.
Step 3: Head to https://artmusicawards.com.au/
Step 4: Provide essential information about your nominee/s (category, work, name of nominee etc.).
Step 5: Write a short paragraph on why you're nominating this person/organisation/work and THAT'S IT!
Please note that you cannot self-nominate in any category. Self-nominations will not be accepted.
IF YOU GET NOMINATED:
If you are nominated, we'll be in touch with you via email after the nomination period closes.
Step 1: Confirm that you'd like to accept the nomination, or select which nomination to proceed with if you have been nominated with multiple options in a single category.
Step 2: Submit all requested support material by the due date.
Step 3: Provide any press material (additional photos, videos or bio information) to be used if you are selected as a finalist.
NOMINATIONS FOR THE 2024 ART MUSIC AWARDS ARE CLOSED.
The Art Music Awards consists of eleven awards (for works, performances, and excellence in education, regional areas, and experimental practice), and up to ten Luminary awards (for sustained contribution of individuals or organisations to their state/territory community or on a national scale). Additionally, the Richard Gill Award for Distinguished Services to Australian Music is presented at the discretion of the Board of Publisher and Writer Directors of APRA.
Work of the Year: Choral
Accompanied or unaccompanied works for massed voices (more than 1 singer per part).
Work of the Year: Chamber Music
Works for between 1 and 12 players, with or without vocal parts, and with or without electronics.
Work of the Year: Large Ensemble
Works for more than 12 players, with or without vocal parts, and with or without electronics. This may include works for orchestra, concert band, wind band, string orchestra.
Work of the Year: Dramatic
Music primarily intended for theatre and dance, such as opera, music theatre and ballet.
Work of the Year: Electroacoustic / Sound Art
Works which utilise and manipulate digital and/or analogue sound as the primary medium. The work may be interdisciplinary (incorporating more than one media). It may include, but is not limited to: electronics, interactive work, generative music, environmental sound, installations, soundscapes, electroacoustic music and intermedia works.
Work of the Year: Jazz
Original Jazz works of any instrumentation, including improvisatory composition.
Performance of the Year: Notated Composition
For the performance of a single Australian work, showcasing the performer(s)’ success in revealing the nature and intention of a composition with clear and notated instructions for the performer. Works with significant improvisatory aspects should instead be submitted for Performance of the Year: Jazz / Improvised Music.
Performance of the Year: Jazz / Improvised Music
For the performance of a single Australian work, showcasing the performer(s)’ success in improvisatory creation or collaboration. This may entail entirely improvised work or significant improvisatory input such as solo passages.
Award for Excellence in Music Education
For pedagogical, creative or professional development activities that champion Australian repertoire, including specific projects, recordings or recording projects, or events undertaken by an individual or organisation.
Award for Excellence in a Regional Area
For activity undertaken in a regional area, utilising Australian repertoire to create a positive impact for the local community.
Award for Excellence in Experimental Practice
For works, people or events that interrogate, extend, or challenge standard artistic practice within the Australian repertoire.
Luminary Awards – National Awards (Individual)
The Luminary Awards seek to honour individuals who, through sustained contribution (demonstrated over a period 3-5 years prior), have impacted our community on a national scale through visionary leadership, fearless trailblazing, high-level artistic practice, and championing of Australian repertoire. No finalists are announced in the Luminary categories. Winners will be announced at the event.
Luminary Awards – National Awards (Organisation)
The Luminary Awards seek to honour organisations who through sustained contribution (demonstrated over a period 3-5 years prior), have impacted our community on a national scale through visionary leadership, fearless trailblazing, high-level artistic practice, and championing of Australian repertoire. No finalists are announced in the Luminary categories. Winners will be announced at the event.
Luminary Awards – State/Territory Awards
The Luminary Awards seek to honour individuals and organisations who through sustained contribution (demonstrated over a period 3-5 years prior), have impacted their communities on a state or territory level through visionary leadership, fearless trailblazing, and engagement with their Australian art music. repertoire. No finalists are announced in the Luminary categories. Winners will be announced at the event.
Richard Gill Award for Distinguished Services to Australian Music
Presented at the discretion of the Board of Publisher and Writer Directors of APRA the Richard Gill Award for Distinguished Services to Australian Music seeks to honour an individual, group or organisation who through sustained contribution over a number of years, have impacted our community on a national scale through visionary leadership, fearless trailblazing, high-level artistic practice, and championing of Australian repertoire.
Nomination
Any APRA AMCOS or AMC member can submit nominations in any/all of the 14 categories (with a limit of 1 nomination per category).
Unless otherwise noted, all categories of the Art Music Awards are open to all genres and practices of art music, including but limited to; contemporary classical, contemporary jazz, notated composition, improvised music, digital music, sound art, and experimental practice.
You cannot self-nominate. This includes organisations/people you work for, represent, or who work for you.
You must provide nomination details & a short statement outlining why you feel the work, individual, organisation, or performance is worthy of this award; the Nominee will provide the required assessment material.
Note the eligibility requirements for each category:
Submissions
All nominations are passed onto the nominated individual/organisation via email and the Nominee will be invited to submit the required assessment materials. A Nominee can only submit once per category. If they have received multiple nominations in a single category, they must choose which nomination to proceed with.
All assessment material requirements are listed in each award category (see Rules of Nomination & Award below) and will be detailed on the submission portal.
Please Note: For submissions using Indigenous content (such as language, titles, narratives or themes) supporting documentation must be supplied showing consultation and permission from the appropriate community/communities.
Judging
All submissions are checked for eligibility and then passed on for assessment by an expert panel.
Each Annual Award has its own 3-person panel of experts overseen by the Annual Awards Chair.
All Luminary Awards are assessed by a single committee of 5 industry experts from across Australia, overseen by the Annual Awards Chair.
APRA AMCOS and AMC are committed to ensuring a diversity of viewpoints are represented in our judging panels across gender, genre, geography, generation, and culture. The list of all judges (in aggregate) is made public after assessment is completed.
Finalists
For the Annual Awards, four finalists are selected in each category and announced ahead of the ceremony.
For the Luminary Awards, no finalists are announced; the winners are announced during the ceremony.
Awards
Winners of all categories will be announced at the 2024 Art Music Awards ceremony, which is scheduled to take place in Melbourne on 14 August 2024.
The Annual Richard Gill Memorial Distinguished Services Award will also be presented at the 2024 Art Music Awards ceremony, at the discretion of the Boards of Directors of APRA and of AMC.
1. All Categories
a. Submissions for awards nominations will only be accepted through the online nomination form, located at https://artmusicawards.com.au/
b. Any nominees using Indigenous content (such as language, titles, narratives or themes) from outside their own cultural heritage must supply supporting documentation that they have consulted with the appropriate communities and have obtained their permissions to use their cultural content and intellectual property.
c. Nominations will be deemed ineligible if they are not accompanied by appropriate documentation.
d. The nominee (or the copyright owner of the entry if different from the nominee) shall permit APRA AMCOS, and any person APRA AMCOS authorises, to perform the entry in and as part of the Art Music Awards ceremony if deemed appropriate, and to record it for those purposes and for the purposes of communication to the public or promotional use.
e. The nominee agrees to allow APRA AMCOS’ use of audio and video in relation to the nomination package for the Art Music Awards for promotional purposes.
f. APRA AMCOS and the Australian Music Centre reserve the right not to make an Award in any single or collective category, or defer the category to the following year, should six or fewer eligible nominations be received.
g. Self-nominations are not permitted. Self-nomination also includes nomination of people or organisations you work for, represent, or who work for you.
h. Unless otherwise noted, all categories of the Art Music Awards are open to all genres and practices of art music, including but not limited to; contemporary classical, contemporary jazz, notated composition, improvised music, digital music, sound art, and experimental practice.
2. Work of the Year Categories
d. A work may only be submitted in a single Work of the Year category. If a work is eligible for multiple categories, the nominee may select which category to submit under.
e. Self-nomination by composers in the Work of the Year categories is not permitted.
3. Performance of the Year Categories
a. The performance must have taken place publicly in the year prior to that of the Award (2023).
b. The performance may have taken place anywhere in the world.
c. The work must have been composed by an Australian citizen or by a composer with permanent residence in Australia.
d. There is no requirement on a year of composition or completion (heritage works are eligible).
e. Public broadcast of a live studio or concert performance in the same year is eligible as a public performance. (This includes radio broadcasts, live streams, podcasts, and other digital distribution of a live recording).
f. Nominations of performances of non-score-based works are also encouraged.
g. Self-nomination by the performer in Performance of the Year categories is not permitted.
4. Excellence Categories
a. Awards for Excellence can be awarded for a range of activities that champion Australian repertoire, including specific projects, activities, recordings or recording projects, or events undertaken by the individual or organisation.
b. Awards are made for activities which took place in the year prior to the award (2023). Nominations for sustained contribution should be made in the Luminary Award categories instead.
c. In all Excellence Categories, the winner in the previous year is not eligible to be nominated in the following year.
d. Nominations for organisations in the Awards for Excellence should demonstrate excellence above and beyond the standard remit or mission of that organisation. Nominations for individuals should demonstrate a program of activities or a range of projects rather than (for example) the recording and release of a single album.
e. In the category for the Award for Excellence in a Regional Area, judging will prioritise those individuals or organisations located in regional areas, however the judging panel may also choose to consider exceptional activities by metropolitan-based organisations or individuals working in regional areas. The panel will also include assessment of the impact of the nomination in the location(s) of the activity.
f. Nominations in the Award for Excellence in Experimental Music must provide a rationale that demonstrates how the nomination questions or extends standard practice.
g. Nominations for Awards for Music Education are for pedagogical, creative or professional development activities that champion Australian repertoire.
h. Self-nomination in Excellence categories is not permitted.
5. Luminary Awards
a. The Luminary Awards seek to honour individuals or organisations who, through sustained contribution (demonstrated during the period 3-5 years prior), have impacted our community on a national, or state level.
b. Nominations for Luminary Awards are made for activities which took place during five years prior to the award (2019-2023).
c. Winners of Luminary Awards are not eligible to be nominated in their category for three years following their award.
d. A nominee may be nominated for both a National Luminary and a single State Luminary Award. In the case of multiple State nominations, the nominee will be asked to select which state they would like to submit in (based on their geographic location during the period in question).
e. Only the recipients of the Luminary Awards will be announced; there are no finalists for these categories.
f. Self-nomination in Luminary Awards is not permitted.
6. Richard Gill Award for Distinguished Services to Australian Music
Presented at the discretion of the Board of Publisher and Writer Directors of APRA, the Richard Gill Award for Distinguished Services to Australian Music seek to honour an individual, group, or organisation who through sustained contribution over a number of years, have impacted our community on a national scale through visionary leadership, fearless trailblazing, high-level artistic practice, and championing of Australian repertoire.
The Art Music Awards and The Malthouse strive to provide fair and inclusive access to their events, and APRA AMCOS is excited to host the 2024 Art Music Awards in the Merlyn Theatre, located on the ground floor (Level 1) of the theatre.
PARKING
Limited on-street parking is available on Sturt Street, Grant Street and Dodds Streets. Two accessible parking spaces are just outside The Malthouse entrance on Sturt Street.
The closest secure carparks are:
Arts Centre Melbourne Car Park (enter from Kavanagh Street) – 650metres
There are a number of clearly marked accessible parking bays available.
The Australian Ballet Centre Car Park (2 Kavanagh Street) – 600metres
ACCESSIBLE DROP OFF
The best place for drop off and pick-ups is on Sturt Street on either side of the disabled parking space directly in front of The Malthouse.
WHEELCHAIR ACCESS
The Malthouse is accessible by wheelchair when entering via the ramp near the Box Office. There are permanent spaces in the Merlyn Theatre dedicated to patrons using a wheelchair.
AMENITIES & SERVICES
Accessible Bathrooms
A gender neutral and fully accessible toilet is located to the right of the Merlyn Theatre.
Hearing Assistance
Malthouse offers a Hearing Assistance System which allows patrons using a hearing aid to tune into the frequency of that venue. For patrons without a hearing aid, they offer a similar system and provide the patron with headphones.
Lighting
There is low lighting in the venue throughout the award ceremony. All walkways are clearly marked, however if you have low vision and need assistance, please let a member of staff from APRA AMCOS or The Malthouse know, our staff will be happy to help.
Service Animals/Guide Dogs
Support and assistance animals are welcome at the Art Music Awards. Please contact [email protected] prior to the event so we can arrange for entry and a reserved space if you’d like it.
Please be aware that the venue is a noisy and busy environment, so you may want to consider the use of an alternative aid when attending this event.
CONTACT US
Should you have any questions or considerations not mentioned in the above, please contact us at [email protected] or call us on 1800 642 634.
To download this accessibility pack including all images, please click here.
Work of the Year: Choral | |
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Finalists | |
Title: | Earth Shaped Hearts |
Composer: | Juliana Kay with Bridget Bourne |
Performer: | Alta Collective and Bridget Bourne |
Title: | Passio |
Composer: | John Rotar |
Performer: | One Equal Music and The Australian Voices |
Title: | Stabat Mater |
Composer: | Mary Finsterer |
Performer: | Melbourne Symphony Orchestra, Choir of Trinity College Melbourne, Mia Robinson, Joseph Nolan, Mel Gibson - narrator, Benjamin Northey - conductor and Christopher Watson - choral director |
Title: | Winchester Canticles |
Composer: | Joe Twist |
Performer: | Winchester Cathedral Combined Choir |
Work of the Year: Dramatic | |
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Finalists | |
Title: | Margaret and the Grey Mare |
Composer: | Sally Whitwell |
Artist: | Katy B Plummer |
Performer: | Margaret Plummer, Michael Honeyman, Katy B Plummer, Sarah Jessica Carpark, Freya Schack-Arnott and Sally Whitwell |
Cinematographer: | Kuba Dorabialski |
Title: | Standard Deviation |
Composer: | Jack Frerer |
Performer: | New York City Ballet |
Title: | The Journey Down |
Composer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr and Vanessa Tomlinson |
Performer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr and Vanessa Tomlinson |
Title: | The Nervous Atmosphere: A Chamber Made work by Zoë Barry |
Composer: | Zoë Barry |
Performer: | Zoë Barry |
Work of the Year: Jazz | |
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Finalists | |
Title: | Ephemeral Echoes |
Composer: | Linda May Han Oh |
Performer: | Linda May Han Oh, Fabian Almazan, Lucy Birkinshaw, Steve Richter, Iain Robbie, Ben Vanderwal and Genevieve Wilkins |
Title: | Mokuy |
Composer: | Aviva Endean, Sunny Kim, Peter Knight, Daniel Wilfred and David Wilfred |
Performer: | Hand to Earth |
Title: | A Pinky Promise |
Composer: | Cheryl Durongpisitkul |
Performer: | Monash Art Ensemble |
Title: | The Odd River |
Composer: | Helen Svoboda |
Performer: | Helen Svoboda, Flora Carbo, Niran Dasika, Jacques Emery, Erik Griswold, Chloe Kim, Joseph O’Connor, Mike Roelofs and Andrew Saragossi |
Work of the Year: Large Ensemble | |
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Finalists | |
Title: | arcing, stilling, bending, gathering |
Composer: | Lisa Illean |
Performer: | Aura Go, Emma McGrath, Tilman Robinson and Musicians of the Australian National Academy of Music |
Publisher: | Hal Leonard Australia |
Title: | Prayers and Tribulations |
Composer: | Brenton Broadstock |
Performer: | New York Staff Band |
Title: | Sarenka Concerto |
Composer: | Elena Kats-Chernin |
Performer: | Melbourne Symphony Orchestra, Dale Barltrop, Rachael Tobin and Chloé van Soeterstède - conductor |
Publisher: | Concord ANZ |
Title: | Through Changing Landscape |
Composer: | Alice Chance |
Performer: | Sydney Symphony Orchestra and David Robertson - conductor |
Work of the Year: Chamber Music | |
---|---|
Finalists | |
Title: | Ablaze |
Composer: | Elliott Gyger |
Performer: | Carla Blackwood, Miranda Hill, Ben Opie and Melina Van Leeuwen |
Title: | Daredevil |
Composer: | Holly Harrison |
Performer: | Omega Ensemble |
Title: | Silhouettes for String Quartet |
Composer: | Maria Grenfell |
Performer: | Flinders Quartet |
Title: | Visions | Vestiges |
Composer: | Kate Milligan |
Performer: | London Symphony Orchestra |
Work of the Year: Electroacoustic/Sound Art | |
---|---|
Finalists | |
Title: | Breathing Space |
Composer: | Genevieve Lacey |
Performer: | Dr Lou Bennett AM, Mindy Meng Wang, Vahideh Eisaei, Amadou Suso, Sunny Kim, The Consort of Melbourne, Linda Kent, Marshall McGuire, Phil Slater, Speak Percussion, Erkki Veltheim and Simon Martyn-Ellis, with spoken voices and field recordings |
Title: | Gradient |
Composer: | Olivia Davies and Callum G’Froerer |
Performer: | Olivia Davies, Callum G'Froerer and Nick Roux |
Title: | METASTABILITY |
Composer: | Ben Carey |
Performer: | Ben Carey |
Title: | When The Rain God Sings Storm Lions Are Born |
Composer: | Yunyu Ong |
Performer: | Taikoz |
Publisher: | ORiGiN Music Publishing |
Performance of the Year: Jazz/Improvised Music | |
---|---|
Finalists | |
Performer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr, and Vanessa Tomlinson |
Title: | The Journey Down |
Composer: | Mark Atkins, Andrew Daylight, Aviva Endean, Chris Griffiths, Preben Ningarmarra, Tristen Parr and Vanessa Tomlinson |
Performer: | Cheryl Durongpisitkul and Ensemble |
Title: | I Still Miss You |
Composer: | Cheryl Durongpisitkul |
Performer: | Hand to Earth |
Title: | The Crow |
Composer: | Aviva Endean, Sunny Kim, Peter Knight, Daniel Wilfred and David Wilfred |
Performer: | Mindy Meng Wang and Paul Grabowsky AO |
Title: | Spring, Flower, Snow and the Moon 春花秋月 |
Composer: | Mindy Meng Wang and Paul Grabowsky AO* |
Publisher: | ORiGiN Music Publishing obo Air Edel* |
Performance of the Year: Notated Composition | |
---|---|
Finalists | |
Performer: | Claire Edwardes and Adelaide Symphony Orchestra |
Title: | Dare To Declare - Concerto for Marimba and Orchestra |
Composer: | Anne Cawrse |
Performer: | Jane Kircher-Lindner, West Australian Symphony Orchestra and Asher Fisch - conductor |
Title: | Bassoon Concerto |
Composer: | Andrew Schultz |
Performer: | Melbourne Symphony Orchestra, Mia Robinson, Joseph Nolan, Choir of Trinity College Melbourne, Mel Gibson - narrator, Benjamin Northey - conductor and Christopher Watson - choral director |
Title: | Stabat Mater |
Composer: | Mary Finsterer |
Performer: | West Australian Symphony Orchestra, WASO Chorus, Aquinas College Schola Cantorum, Voyces, Abimanjou Mathivannan and Eduardo Strausser - conductor |
Title: | The Tides of Longing |
Composer: | Lachlan Skipworth and Jay Emmanuel |
Award for Excellence in Music Education |
---|
Finalists |
The Song Room for building thriving communities for children by championing Australian music in remote NT |
The Sonicrats (Alon Ilsar, Ciaran Frame and Erick Mitsak) for You're an Instrument! 2023 Victorian Schools Program |
Speak Percussion for Sounds Unheard 2023 Program |
West Australian Youth Jazz Orchestra (WAYJO) for WAYJO 2023 Pathways Program |
Award for Excellence in a Regional Area |
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Finalists |
Camerata - Queensland’s Chamber Orchestra for Regional Touring Program |
Frances Evans for Warren Chamber Music Festival |
Topology for Queensland Stories |
Tura for The Journey Down |
Award for Excellence in Experimental Practice |
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Finalists |
Chloe Kim 김예지 for 100 Hours |
Mindy Meng Wang for continued leadership in pioneering experimentation and integration of the Guzheng into Western contemporary music, coupled with sustained artistic excellence |
Gemma Horbury for The Story of Here |
Gelareh Pour and Brian O'Dwyer for ZÖJ |
What is Indigenous Cultural Content?
Indigenous Cultural Content encompasses information conveyed through tangible and intangible cultural expressions, serving to communicate cultural preservation, artistic expression, political self-determination, and cultural sovereignty. This content, specific to people, place, and culture, extends beyond text, encompassing Indigenous stories, dances, songs, ceremonies, language, history, and other aspects of heritage and property.
The NATSIMO advocates for the rights of Aboriginal and Torres Strait Islander people to make self-determined decisions regarding Indigenous Music, including defining what Indigenous Music is, determining its usage, specifying when and by whom it is used, and clarifying the purpose of its use.
What is Indigenous Cultural and Intellectual Property (ICIP)?
Indigenous Cultural and Intellectual Property (ICIP) pertains to the rights Indigenous people possess and uphold to safeguard their cultural heritage. ICIP encompasses a dynamic heritage, encompassing objects, sites, stories, images, knowledge, and other content transmitted across generations within a specific Indigenous group or its territory. It is also commonly referred to as "Cultural Heritage."
NATSIMO advocates for the global rights of Aboriginal and Torres Strait Islander individuals and communities to autonomously make decisions about their Indigenous Cultural Content and Intellectual Property (ICIP), including (but not limited to):
How should I demonstrate support, permissions and, evidence of consultation from the correct owners of Indigenous Cultural Content used or referenced within my works?
When Indigenous Cultural Content from outside of one’s own cultural heritage and background, it is required that appropriate support and permissions are confirmed, obtained, and demonstrated. Forms of supporting documentation include:
For example, a music creator may wish to compose a new work which uses culturally significant melodies and words from a particular cultural group of which the composer does not belong to. The music creator may have a relationship with the Indigenous custodians/owners of cultural content they wish to incorporate into their new work. In this case, it is important that the music creator clearly demonstrates that they have acquired permissions to create a new work or arrangement that will include elements of, or references to the Indigenous Cultural Content from the correct Cultural custodians/owners. The music creator should also explain how the custodians/owners will be accredited for their knowledge/work, and how they work with the custodians/owners to protect the work.
We support the rights of Indigenous people from around the world in making self-determined decisions regarding the implementation of culturally safe and respectful processes which are required to clearly demonstrate confirmation, support, and agreements for the use of their Indigenous Cultural Content. Please contact the National Aboriginal & Torres Strait Islander Music office if you have any questions at [email protected]