The annual Screen Music Awards are presented by APRA AMCOS in conjunction with the Australian Guild of Screen Composers (AGSC). The ceremony acknowledges excellence and innovation in the field of screen composition.
The 2021 Screen Music Awards winners have now been announced. Congratulations to all of the winners and nominees.
The Screen Music Awards represent the successful marriage of two defining elements of contemporary Australian culture: music and film. Presented by APRA AMCOS in conjunction with the Australian Guild of Screen Composers (AGSC), the ceremony is our chance to acknowledge excellence and innovation in the field of screen composition.
The Screen Awards honour music composers across thirteen categories. APRA AMCOS uses statistical analysis to define nominations based on performance activity, as reflected by earnings, for two categories: Most Performed Screen Composer - Australia, and Most Performed Screen Composer - Overseas. Panels of highly respected Australian film and television composers determine four nominees across each of the remaining ten categories. The Distinguished Services to the Australian Screen Award is given at the discretion of the APRA Board of Directors.
Feature Film Score of the Year | |
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Winner | |
Title: | Bloody Hell |
Composer: | Brian Cachia |
Nominees | |
Title: | June Again |
Composer: | Christopher Gordon |
Title: | Rams |
Composer: | Antony Partos |
Publisher: | Sonar Music |
Title: | The Tax Collector |
Composers: | Michael Yezerski |
Publisher: | Cas Music Australia obo Copyright Administration Films |
Best Music for an Advertisement | |
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Winner | |
Title: | The untold tale of isabelle simi |
Composers: | Jonathan Dreyfus & Daniel Müller |
Nominees | |
Title: | Save Our Sons: Heartbeat |
Composer: | Matteo Zingales |
Publisher: | Sonar Music |
Title: | Suncorp Team Girls | The Drive |
Composer: | Scott Langley |
Publisher: | Song Zu Publishing |
Title: | The Worst Block in Town: Australian Red Cross |
Composers: | Kate Miller-Heidke & Keir Nuttall |
Publisher: | Sony Music Publishing |
Best Music for Children's Programming | |
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Winner | |
Title: | Bluey |
Composer: | Joff Bush |
Publisher: | Universal Music Publishing obo BBC Worldwide Limited |
Nominees | |
Title: | Daisy Quokka: World's Scariest Animal |
Composer: | Ack Kinmonth |
Title: | Dive Club |
Composers: | Piers Burbrook de Vere & Angela Little |
Title: | Space Nova: Seaweed Samba |
Composer: | Russell Thornton |
Best Music for a Documentary | |
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Winner | |
Title: | Playing with Sharks |
Composer: | Caitlin Yeo |
Nominees | |
Title: | Chef Antonio’s Recipes for Revolution |
Composer: | Cezary Skubiszewski |
Title: | Quoll Farm |
Composer: | Maria Grenfell |
Title: | The Magnitude of All Things |
Composer: | Rob Law |
Publisher: | Gaga Music |
Best Music for a Mini-Series or Telemovie | |
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Winner | |
Title: | Hungry Ghosts |
Composer: | Roger Mason |
Nominees | |
Title: | Exposed: The Ghost Train Fire |
Composers: | Anthony El-Ammar, Adam Gock, Mitch Stewart, Dinesh Wicks, Brontë Horder, David Huxtable, Richard LaBrooy, Rufio Sandilands, Alex Slater, Adam Sofo & Cassie To |
Publisher: | Universal Music Publishing obo ABC Music Publishing |
Title: | Halifax Retribution |
Composers: | Cezary Skubiszewski & Jan Skubiszewski* |
Publishers: | Sony Music Publishing obo Beyond Properties / Mushroom Music* |
Title: | The End |
Composers: | Antony Partos |
Publisher: | Sonar Music |
Best Music for a Short Film | |
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Winner | |
Title: | Yellow Jack |
Composer: | Adam Moses |
Nominees | |
Title: | Circumstance 2020 |
Composer: | Fiona Hill |
Title: | Elagabalus |
Composer: | Jorden Heys |
Title: | Lifeblood |
Composer: | Jonathan Nix |
Best Music for a Television Series or Serial | |
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Winner | |
Title: | Jack Irish |
Composers: | David McCormack & Antony Partos |
Publisher: | Sonar Music |
Nominees | |
Title: | Bump |
Composer: | David McCormack & Matteo Zingales |
Publisher: | Sonar Music |
Title: | Ms Fisher's Modern Murder Mysteries |
Composer: | Burkhard Dallwitz, Brett Aplin & Dmitri Golovko |
Title: | Wakefield |
Composer: | Maria Alfonsine & Caitlin Yeo |
Best Original Song Composed for the Screen | |
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Winner | |
Title: | Bagi-la-m Bargan from Looky Looky Here Comes Cooky |
Composers: | Nathan Bird*, Fred Leone & Daniel Rankine^ |
Publishers: | Sony Music Publishing obo Bad Apples Music Publishing* / Sony Music Publishing obo Blue Max Music Publishing^ |
Nominees | |
Title: | Fragile Soul from Ellie Was Here |
Composer: | Brontë Horder |
Title: | On My Way from The Mitchells vs The Machines |
Composers: | Alex Lahey*, Sophie Payten^* & Gabriel Strum+* |
Publishers: | Sony Music Publishing* / Mushroom Music^ / Native Tongue+ |
Title: | Suck My Cherry from Freaky |
Composers: | Luke Dubber*, Beatrice Lewis^, Joel Ma+, Claire Nakazawa^, Mieh Nakazawa^ & Angus Stuart* |
Publishers: | Sony Music Publishing* / Gaga Music^ / Mushroom Music+ |
Best Soundtrack Album | |
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Winner | |
Title: | Bluey The Album |
Composers: | Joff Bush, David Barber, Helena Czajka, Marly Lüske, Lachlan Nicolson & Steve Peach |
Publisher: | Universal Music Publishing obo BBC Worldwide Limited |
Nominees | |
Title: | Buckley’s Chance |
Composer: | Christopher Gordon |
Title: | The Greenhouse |
Composer: | Freya Berkhout |
Title: | The Vigil |
Composer: | Michael Yezerski |
Best Television Theme | |
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Winner | |
Title: | Halifax Retribution |
Composers: | Cezary Skubiszewski & Jan Skubiszewski* |
Publishers: | Sony Music Publishing obo Beyond Properties / Mushroom Music* |
Nominees | |
Title: | 100% Wolf - Legend of the Moonstone |
Composers: | Ned Beckley, Joni Hogan & Josh Hogan |
Title: | Hungry Ghosts |
Composer: | Roger Mason |
Title: | Wakefield |
Composer: | Maria Alfonsine |
Most Performed Screen Composer - Australia |
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Winner |
Adam Gock and Dinesh Wicks |
Finalists |
Anthony El-Ammar |
Jay Stewart |
Mitch Stewart |
Most Performed Screen Composer - Overseas |
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Winner |
Neil Sutherland |
Finalists |
Adam Gock and Dinesh Wicks |
Alastair Ford |
Michael Yezerski |
Publishers, producers, and directors may enter on behalf of a composer. The account should be made in the name of the person submitting the application (this can be the composer or not), and applications can be made on behalf of multiple composers .
The work must have been for a production which has received its first public screening, broadcast or release in the relevant 12 month period (1st July 2020 - 30th June 2021).
The eligibility period for Feature Film Score of the Year requires that the production must have received its first public screening, broadcast or commercial release in the relevant 15 month period (1st July 2020 - 30th September 2021. This includes first releases on YouTube, Facebook, Netflix or any other platform.
APRA AMCOS will not accept any physical applications. To avoid your application timing out, we recommend preparing everything before you begin.
You must submit responses to:
You must supply:
Category information:
For the full rules & guidelines please click here.
Any queries email [email protected] or call (02) 9935 7900.
The Screen Music Awards cover thirteen award categories.
The following awards are given based on APRA AMCOS's statistical analysis:
The following awards are judged by panels of leading screen composers from across Australia:
A special Award is given at the discretion of the APRA Board of Directors
1. Thirteen Awards are conferred.
A special Award is given at the discretion of the APRA Board of Directors
2. The Award is in the form of a trophy suitably inscribed.
All entrants are required to provide the following items for possible adaptation by the Music Director on the night;
a) An MP3 or M4A recording of the main theme (s)
b) Any material that can be used for orchestration - lead sheets, MIDI files, manuscripts etc.
Please note our arrangers and orchestrators will adapt your music scores to suit our orchestral line up.
The entrant shall (or shall cause the copyright owner of the entry if different from the entrant) to permit APRA AMCOS and any person APRA AMCOS authorises to perform the entry in and as part of any APRA AMCOS award ceremony and to record it for those purposes and for the purposes of communication to the public or promotional use.
The entrant agrees to allow APRA AMCOS to use audio and video from the APRA & AGSC Screen Music Awards for promotional purposes.