Founded in 1885, Alberts is an independent Australian company which has been managed by the Albert family for five generations. Its history has intertwined with the evolution of Australia’s media and popular culture from its early days of sheet music and music publishing through to commercial radio and television and helping establish and develop Australia’s music industry.
Alberts has been a longstanding supporter of Nordoff-Robbins Music Therapy Australia through its mission to transform lives through the provision of music therapy. Alberts collaborated with APRA AMCOS in 2009 to establish the Vanda & Young Global Songwriting Competition, named after the iconic songwriters Harry Vanda and the late George Young, to support and raise the profile of the non-profit organisation, Nordoff-Robbins Australia, and the work it does to change the lives of many.
Banki Haddock Fiora
Banki Haddock Fiora is a progressive commercial law firm providing boutique intellectual property, technology, media and other legal services. All our partners are specialists in their fields. The firm and its partners are listed in the highly respected global surveys, Managing Intellectual Property, Chambers, The Legal 500 and World Trade Mark Review. Half of our partners were named by The Australian Financial Review in its Best Lawyers Australia list.
Sony Music Publishing
Sony Music Publishing celebrates the power of songwriting to connect cultures and bring people together. Our company ethos is to put songwriters at the forefront, honouring their vision, artistry and goals. We lift up our songwriters by supporting their careers, amplifying opportunities, fostering collaboration and defending their rights.
Sony Music Publishing is the world’s No. 1 music publishing company headquartered in New York with a network of 38 offices across the globe. With its songwriter-first mission, Sony Music Publishing provides best-in-class services on a global scale to all of its songwriters.
In addition to Vanda & Young, Sony Music Publishing is home to Australia and the world’s greatest classic and contemporary songwriters, including AC/DC, The Beatles, Queen, Tame Impala, Motown, Carole King, Midnight Oil, Thelma Plum, Sarah Blasko, Ed Sheeran, Paul Kelly, Leonard Cohen, Stevie Wonder, Beyoncé, Lady Gaga, Jay-Z, Kanye West, Pharrell Williams, Sarah Aarons, Rihanna, Angus and Julia Stone, AB Original, 5SOS, The Avalanches, Don Walker, Alex Hope, Empire of the Sun (Luke Steele), Hilltop Hoods, Gurrumul, May-A and Miiesha to name a few.
The Australasian Music Publishers Association Limited (AMPAL) works on behalf of its members to promote a better understanding of the value of music, both culturally and economically. AMPAL has more than 50 music publisher members in Australia and New Zealand who invest in songwriters across all genres of music. They nurture talent, promote the works of their writers and find avenues for their work to be heard. They are a vital part of an industry that contributes to the cultural and economic future of Australia and New Zealand. AMPAL members represent over 90% of the economic value of the music publishing sector.
Aon is committed to making life easier for you by arranging insurance that’s easy to understand, buy and manage, so you can get quotes and take out a policy online in just a few clicks. Or if you do need help, our team of friendly experienced brokers are a phone call away to help you understand what insurances you may or may not need, but more importantly, why. Helping give you confidence that you’re making a better decision for you and your business.
Jaxsta’s mission is to be the go-to platform for the ‘who, what, when and where’ of music creation. We only source data from official music channels – be it a record label, publisher, rights organization or industry association. When you search Jaxsta you only get music information you can trust.
A scanned letter of authority from your parent or guardian if you are under 18
This is a global competition open to all songwriters – published or unpublished.
Entry fee is AUD$50 per song. All proceeds go directly towards the work of Noro Music Therapy Australia (NRMTA), which uses music therapy to help people cope with the struggles of living with a wide range of needs. These include children and adults with physical and intellectual disabilities, autism, trauma, illness, dementia, behaviour disorders and learning difficulties.
Since 2009, over one million dollars has already been raised for Noro Music Therapy through the competition.
In 2009, Alberts collaborated with APRA AMCOS to establish an international songwriters competition, acknowledging great songwriting whilst supporting and raising money for Noro (formerly Nordoff-Robbins Music Therapy Australia).
Alberts is an independent music company which has been managed by the Albert family for five generations. Its history has intertwined with the evolution of Australia’s media and popular culture from its early days of sheet music and music publishing through to commercial radio and television and helping establish and build Australia’s music industry.
Alberts has been a longstanding supporter of Noro through its mission to transform lives through the provision of music therapy.
The competition was fittingly named after iconic writers Harry Vanda and the late George Young who have written a string of hits since the 60’s performed by both local and international artists. Worldwide their songs have been replicated by the likes of Grace Jones to Tom Jones, David Bowie and Meatloaf.
All proceeds raised by the Vanda & Young Global Songwriting Competition go to not-for-profit organisation Noro.
Research shows that listening to and playing music can dramatically improve the lives of children and adults affected by a range of physical, psychological, cognitive, emotional and social difficulties.
Music can change moods, refocus attention, elicit emotions, express feelings, improve speech and motor skills, as well as promote social interaction.
Andrew Very - Triple M Music Director, Sydney
Cameron Adams - Music Features, LiSTNR
Christie Eliezer - Music Journalist
Dan Condon - Double J Music Editor
Dan Hill - B105 Music Director & Announcer
Daniel Cribb - Editor, TheMusic
Kathy McCabe - National Music Writer, News Corp
Lars Brandle - Music Journalist
Mickey Maher - Head of Music, SCA
Poppy Reid - Editor in Chief, The Brag Media
Simon Collins - Chief Lifestyle & Features Writer, The West Australian
Wendy Saunders - Music Director, ABC Local Radio
Adam Lewis - Senior Music Curator, Amazon Music
Rebecca Young - General Manager, Collective Artists
Joel Siviour - Managing Director, Seismic Talent
Helena Ho - A&R, EMI Music Australia
Cathy Oates - Artist Manager
Bill Cullen - Artist Manager, One Louder
Brent 'Quincy' Buchanan - A&R, Universal Music Australia
Heather O'Brien - A&R, EMI Music Australia
Peter Karpin - A&R Consultant
Alli Galloway - Head of Audience & Creative, Jaxsta
Do I have to be a member of APRA AMCOS or another Performing Right Organisation (PRO) to enter?
Songwriters who have no current PRO affiliation may apply. However we do suggest that if your original songs are being broadcast on TV/Radio, streamed or downloaded for sale online or performed live in a public venue, you should join a PRO to ensure that you collect your songwriting royalties.
How many songs can I enter?
Enter as many songs as you wish! All songs, irrespective of who submitted them, will be listened to and judged individually.
What if my song is co-written, can I still apply?
You need to have contributed to the songwriting of the entered song to apply. If you win, you would be deemed the sole winner and any eventuating prizes would be divided amongst your co-writers at your discretion. Please ensure your co-writers have agreed and authorised the submission of your song into this competition.
Will APRA AMCOS or Noro Music Therapy Australia own my song if I enter?
No, you'll retain all rights to your song. APRA AMCOS and Noro Music Therapy Australia may use your song for promotional purposes only, including on our website and social media.
Will my song be judged on recording quality?
All judges have been briefed to judge a song on its songwriting merits and not how it was recorded. However, you should ensure the song is recorded in good quality so that the melody and lyrics can be heard clearly.