The annual Screen Music Awards are presented by APRA AMCOS in conjunction with the Australian Guild of Screen Composers (AGSC). The ceremony acknowledges excellence and innovation in the field of screen composition.
The 2024 Screen Music Awards will take place at Forum Melbourne, Naarm on Tuesday 29 October.
SUBMISSIONS FOR THE 2024 SCREEN MUSIC AWARDS ARE NOW CLOSED.
Emerging Screen Composer of the Year |
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NOMINEES |
Alex Olijnyk |
Ayda Akbal |
James Mountain |
Luna Pan |
Best Music for an Advertisement | |
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Nominees | |
Title: | Carlton Dry: Drylandia |
Composer: | Jeremy Richmond |
Publisher: | Rumble Studios |
Title: | Husk |
Composers: | Matteo Zingales & Josh Pearson |
Publisher: | Sonar Music |
Title: | Life Giving Learning |
Composer: | Finn Clarke |
Title: | The Voice 2024 Launch aka Team Unite |
Composers: | Charlton Hill, Justin Shave, Reigan Derry* & Graham Donald^ |
Publisher: | Universal Music Publishing obo Uncanny Valley, Mushroom Music Publishing obo Young&Vicious*, Red Music Publishing^ |
Best Music for Children's Programming | |
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Nominees | |
Title: | Beep and Mort: Today! The Musical |
Composer: | Harry Covill |
Title: | Bluey: The Sign |
Composers: | Joff Bush, Jazz D’Arcy, Daniel O’Brien & Joe Twist |
Publisher: | Universal Music Publishing |
Title: | The Sloth Lane |
Composer: | Ack Kinmonth |
Title: | Wilfrid Gordon McDonald Partridge |
Composer: | Hamish Francis |
Best Music for a Documentary | |
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Nominees | |
Title: | Every Little Thing |
Composer: | Caitlin Yeo |
Publisher: | Kobalt Music Publishing obo Lillipilli IP |
Title: | Fungi: Web of Life |
Composers: | Piers Burbrook de Vere & Angela Little |
Title: | Secrets of the Octopus |
Composer: | Rafael May |
Publisher: | Sony Music Publishing |
Title: | War Tails |
Composer: | Piotr Nowotnik |
Best Music for a Short Film | |
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Nominees | |
Title: | Blame the Rabbit |
Composer: | Michael Darren |
Title: | The Meaningless Daydreams of Augie and Celeste |
Composer: | Alex Olijnyk |
Title: | Quiet Night Thought |
Composer: | Madeleine Mallis |
Title: | We Used To Own Houses |
Composers: | Joel Byrne & Wade Keighran |
Publisher: | GAGA Music Publishing |
Best Music for a Television Comedy | |
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Nominees | |
Title: | Bump: Work |
Composers: | Jackson Milas & Josie Mann |
Publisher: | Sonar Music |
Title: | The Artful Dodger: Season 1 Episode 1 |
Composer: | Antony Partos |
Publisher: | Sony Music Publishing |
Title: | While The Men Are Away: Furrowing The Fuhrer's Brow! |
Composer: | Michael Yezerski |
Title: | Wolf Like Me: Season 2 Episode 4 |
Composers: | Piers Burbrook de Vere |
Publisher: | Universal/MCA Music Publishing |
Best Music for a Television Drama | |
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Nominees | |
Title: | High Country: Season 1 Episode 1 |
Composers: | Cezary Skubiszewski & Jan Skubiszewski |
Title: | Ladies in Black: Season 1 Episode 1 |
Composers: | Matteo Zingales |
Publisher: | Sonar Music |
Title: | Prosper: Season 1 Episode 2 |
Composers: | Amanda Brown & Antonio Gambale |
Publisher: | Kobalt Music Publishing obo Lillipilli IP |
Title: | The Newsreader: Fireworks |
Composers: | Cornel Wilczek & Thomas Rouch* |
Publisher: | Concord ANZ* |
Best Music for Unscripted & Reality Television Series | |
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Nominees | |
Title: | Australia By Design Architecture |
Composers: | Marlon Grunden & Robert Upward |
Publisher: | Mushroom Music |
Title: | LEGO Masters |
Composers: | Adam Gock, Dinesh Wicks, Anthony Ammar, David Bruggemann, Brontë Horder, David Huxtable, Richard LaBrooy, Adam Sofo, Mitch Stewart, Cassie To |
Publisher: | Universal Music Publishing obo Endomol Australia |
Title: | MasterChef |
Composers: | Adam Gock, Dinesh Wicks, Anthony Ammar, Emma Greenhill, Brontë Horder, Richard LaBrooy, Adam Sofo, Mitch Stewart & Cassie To |
Publisher: | Universal Music Publishing obo Endomol Australia |
Title: | The Summit |
Composers: | Charlton Hill, Justin Shave & David Barber |
Publisher: | Endomol Shine Australia |
Best Music for a Video Game or Other Interactive Media | |
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Nominees | |
Title: | Every Hue of You |
Composers: | Meena Shamaly & Natalie Jeffreys |
Title: | Nine Realms: Revolt |
Composers: | Rory Chenoweth & Samuel Marks |
Title: | Seekers of the Shard: Dragonfire |
Composer: | David Barber |
Title: | Solium Infernum |
Publisher: | Michael Allen |
Best Opening Title Television Theme | |
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Nominees | |
Title: | Night Bloomers |
Composer: | Darren Lim |
Title: | The Mission |
Composer: | Joel Farland |
Title: | The Way We Wore |
Composer: | Ned Beckley & Josh Hogan |
Title: | Zip and the Tiny Sprouts |
Publisher: | Jazz D’Arcy |
Best Original Song Composed for the Screen | |
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Nominees | |
Title: | Carry You from RFDS |
Composers: | Amanda Brown*, Damien Lane* & David Leha |
Publisher: | Kobalt Music Publishing obo Lillipilli IP* |
Title: | Echo from Lighting of the Sails for Vivid 2024 |
Composers: | Jack Doepel, Benjamin Freeman & Angus Mills |
Title: | Good Day Sunshine from Eric |
Composer: | Tim Minchin |
Publisher: | Kobalt Music Publishing/David Platz Music (Australia) Pty Ltd |
Title: | Tjukurpa from Faraway Downs |
Composers: | Zaachariaha Fielding, Michael Ross, Kara Talve, Bruce Fingers & Billy Ray Fingers |
Publisher: | Sony Music Publishing |
Best Soundtrack Album | |
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Nominees | |
Title: | Sleeping Dogs |
Composer: | David Hirschfelder |
Publisher: | Cas Music Australia |
Title: | Talk To Me |
Composers: | Cornel Wilczek & Thomas Rouch* |
Publisher: | Concord ANZ* |
Title: | The Rooster |
Composer: | Stefan Gregory |
Title: | Travels on My Donkey |
Composer: | Burkhard Dallwitz |
Feature Film Score of the Year | |
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Nominees | |
Title: | Monkey Man |
Composer: | Jed Kurzel |
Publisher: | Universal/MCA Music Publishing |
Title: | Plan Bea |
Composer: | Sean Peter |
Title: | The Rooster |
Composer: | Stefan Gregory |
Title: | Woody Woodpecker Goes to Camp |
Composers: | Michael Lira |
Publisher: | Universal/MCA Music Publishing |
Most Performed Screen Composer - Australia | |
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Nominees | |
Composers: | Adam Gock & Dinesh Wicks |
For: | MasterChef Australia, Travel Guides, Married At First Sight |
Composer: | Jay Stewart |
For: | The Block, Better Homes & Gardens, The Force |
Composer: | MitchELL Stewart |
For: | MasterChef Australia, Travel Guides, Married At First Sight |
Composer: | Neil Sutherland |
For: | Border Security, Australian Crime Stories, Bondi Vet |
Most Performed Screen Composer - Overseas | |
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Nominees | |
Composers: | Joff Bush |
For: | Bluey |
Composer: | Adam Gock & Dinesh Wicks |
For: | MasterChef Australia, Stars on Mars, Lego Masters Australia |
Composer: | Mitchell Stewart |
For: | Stars on Mars, Lego Masters Australia, The Biggest Loser |
Composer: | Neil Sutherland |
For: | Border Security, Mythbusters, Bondi Vet |
The Screen Music Awards represent the successful marriage of two defining elements of contemporary Australian culture: music and film. Presented by APRA AMCOS in conjunction with the Australian Guild of Screen Composers (AGSC), the ceremony is our chance to acknowledge excellence and innovation in the field of screen composition.
The Screen Awards honour music composers across thirteen categories. APRA AMCOS uses statistical analysis to define nominations based on performance activity, as reflected by earnings, for two categories: Most Performed Screen Composer - Australia, and Most Performed Screen Composer - Overseas. Panels of highly respected Australian film and television composers determine four nominees across each of the remaining ten categories. The Distinguished Services to the Australian Screen and Emerging Screen Composer of the Year Awards are given at the discretion of the APRA Board of Directors.
The Screen Music Awards cover fourteen award categories.
The following awards are given based on APRA AMCOS' statistical analysis:
The following awards are judged by panels of leading screen composers from across Australia:
Two special awards are given at the discretion of the APRA Board of Directors:
SUBMISSIONS FOR THE 2024 SCREEN MUSIC AWARDS ARE NOW CLOSED
The work must have been for a production which received its first public screening, broadcast or release in the relevant 12-month period (1 July 2023 - 30 June 2024), excluding Feature Film Score of the Year.
The eligibility period for Feature Film Score of the Year requires that the production must have received its first public screening, broadcast or commercial release in the relevant 15-month period (1 July 2023 - 30 September 2024). This includes first releases on YouTube, Facebook, Netflix or any other public platform.
Submissions will only be accepted via the official Screen Music Awards online portal.
Submissions can be entered by the composer, their employer, the production company or a third party i.e. Director or Publisher.
You must submit responses to:
You must supply:
Category information:
Questions? Please email [email protected]
A. THE AWARDS
1. Fourteen Awards are conferred:
Two special Awards are given at the discretion of the APRA Board of Directors:
2. The Award is in the form of a trophy suitably inscribed.
B. ELIGIBILITY
C. ASSESSMENT & DECISION MAKING PROCEDURES
D. ADDITIONAL INFORMATION & COPYRIGHT
All entrants are required to provide the following items for possible adaptation by the Music Director on the night;
Please note that our arrangers and orchestrators will adapt your music scores to suit our orchestral line up.
The entrant shall, (or shall cause the copyright owner of the entry if different from the entrant), permit APRA AMCOS and any person APRA AMCOS authorises to perform the entry in and as part of any APRA AMCOS award ceremony and to record it for those purposes and for the purposes of communication to the public or promotional use.
The entrant agrees to allow APRA AMCOS to use audio and video from the APRA & AGSC Screen Music Awards for promotional purposes.
Questions? Please email [email protected]
The Screen Music Awards and Forum Melbourne strive to provide fair and inclusive access to this event. Step-free, fully accessible pathways are available via the box office entry on Flinders Street.
Within the Forum, entry to the main auditorium is via 3 sets of doors with wheelchair access and ramp via the right-side door. A ramp runs the length of the venue down to the dancefloor area and is designed to provide a smooth and efficient experience for all visitors, regardless of their mobility needs.
PARKING
There is limited street parking, but Forum patrons can access special rates at select Wilson Car Parks. This offer must be booked on their website before arrival.
Closest parking to the venue is Wilson Parking, Flinders Gate Car Park, 172-192 Flinders Street (60m from venue) or at Fed Square Rooftop, Russell Street (190m from venue).
ACCESSIBLE DROP-OFF
The best place for drop off and pick-ups is either on Russell Street next to Culture Kings (30m from the Forum entry) or on the Russell Street extension next to the Ian Potter Centre (approximately 80m across Flinders Street).
WHEELCHAIR ACCESS
Forum Melbourne has accessible toilets, ramps, and spacious lifts available throughout the venue. There is a wheelchair accessible entrance at the Box Office to the right of the main entrance on Flinders Street via a small ramp into the foyer. Please speak to a staff member if you need assistance.
AMENITIES & SERVICES
Accessible Bathrooms
A gender neutral and fully accessible toilet is located on the left of the main entrance foyer (facing the stage). Just follow the signs to the Manager’s Office. It can also be accessed from the main room through the wooden door at the back of the room. This is located to the left of the entrance to female toilets.
Sensory Friendly Space
Forum Melbourne has quiet space options on the mezzanine level upstairs away from the main auditorium and foyer. There is no music or bright lighting in these spaces. These quiet spaces do not have a view of the stage. If you would like access to any of these rooms at any stage during the show, please see one of the APRA AMCOS or Forum Melbourne staff in the foyer who can escort you to this space. This area will offer attendees some quiet and calm on event day no matter the size or volume of the crowd and is available for those who have sensory sensitivities, processing differences, or other hidden disabilities (e.g. autism, acquired brain injury, mental illness, PTSD, dementia).
The sensory friendly space is not a social space and is an alcohol-free zone.
Service Animals/Guide Dogs
Support and assistance animals are welcome at the Screen Music Awards. Please contact [email protected] prior to the event so we can arrange for entry and a reserved space if you’d like it.
Please be aware that the venue can be a noisy and busy environment.
Lighting
There is low lighting in the venue throughout the ceremony. All walkways are clearly marked, however if you have low vision and need assistance, please let a member of staff from APRA AMCOS or Forum Melbourne know, our staff will be happy to help.
CONTACT US
Should you have any questions or considerations not mentioned in the above, please contact us at [email protected] or call us on 1800 642 634.
To download this accessibility pack including all images, please click here.